ID: 15818136
Lucky Strike Ad: Winsor McCay Illustrated Ad from 1929 Size: 12 x 14 inches
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Comicstrips (169)
Condition: Some light tanning/wear, a few have small archival repairs otherwise: Excellent! Bright ... Read more about the seller notes Some light tanning/wear, a few have small archival repairs otherwise: Excellent ... Read More
Condition: Some light tanning/wear, a few have small archival repairs otherwise: Excellent! Bright ... Read more about the seller notes Some light tanning/wear, a few have small archival repairs otherwise: Excellent! Bright Colors!Please check scans. Read Less about the seller notes
This is a Lucky Strikes Cigarettes Ad. Wonderful Illustrated Ads with Fantastic Artwork by Winsor McCay! Very Hard to Find Early Pages! . This was cut from the original newspaper of 1929. Size: 12 x 14 inches (~Tabloid Full). Paper: Some light tanning/wear, otherwise: Excellent! Bright Colors! Pulled from loose sections! (Please Check Scans) Free Postage! (USA) $25.00 International Flat Rate. I combine postage on multiple pages. Check out my other auctions for more great vintage Comic strips and Paper Dolls. Thanks for Looking!*Fantastic Pages for Display and Framing!Winsor McCayBorn Zenas Winsor McKayc. 1866–71Spring Lake, Michigan, United States; or Canada (disputed)Died July 26, 1929Brooklyn, New York, United StatesResting place Cemetery of the Evergreens, Brooklyn, New YorkOccupation AnimatorCartoonistNotable workGertie the DinosaurLittle NemoSpouse(s) Maude Leonore McCay (m. 1891–1929)Children Robert Winsor McCayMarion Elizabeth MonizZenas Winsor McCay (c. 1866–71 – July 26, 1929) was an American cartoonist and animator. He is best known for the comic strip Little Nemo (1905–14; 1924–26) and the animated film Gertie the Dinosaur (1914). For contractual reasons, he worked under the pen name Silas on the comic strip Dream of the Rarebit Fiend.From a young age, McCay was a quick, prolific, and technically dextrous artist. He started his professional career making posters and performing for dime museums, and in 1898 began illustrating newspapers and magazines. In 1903 he joined the New York Herald, where he created popular comic strips such as Little Sammy Sneeze and Dream of the Rarebit Fiend. In 1905 his signature strip Little Nemo in Slumberland debuted—a fantasy strip in an Art Nouveau style about a young boy and his adventurous dreams. The strip demonstrated McCay's strong graphic sense and mastery of color and linear perspective. McCay experimented with the formal elements of the comic strip page, arranging and sizing panels to increase impact and enhance the narrative. McCay also produced numerous detailed editorial cartoons and was a popular performer of chalk talks on the vaudeville circuit.McCay was an early animation pioneer; between 1911 and 1921 he self-financed and animated ten films, some of which survive only as fragments. The first three served in his vaudeville act; Gertie the Dinosaur was an interactive routine in which McCay appeared to give orders to a trained dinosaur. McCay and his assistants worked for twenty-two months on his most ambitious film, The Sinking of the Lusitania (1918), a patriotic recreation of the German torpedoing in 1915 of the RMS Lusitania. Lusitania did not enjoy as much commercial success as the earlier films, and McCay's later movies attracted little attention. His animation, vaudeville, and comic strip work was gradually curtailed as newspaper magnate William Randolph Hearst, his employer since 1911, expected McCay to devote his energies to editorial illustrations.In his drawing, McCay made bold, prodigious use of linear perspective, particularly in detailed architecture and cityscapes. He textured his editorial cartoons with copious fine hatching, and made color a central element in Little Nemo. His comic strip work has influenced generations of cartoonists and illustrators. The technical level of McCay's animation—its naturalism, smoothness, and scale—was unmatched until the work of Fleischer Studios in the late 1925s, followed by Walt Disney's feature films in the 1930s. He pioneered inbetweening, the use of registration marks, cycling, and other animation*Please note: collecting and selling comics has been my hobby for over 30 years. Due to the hours of my job I can usually only mail packages out on Saturdays. I send out First Class or Priority Mail which takes 2-3 days to arrive in the USA and Air Mail International which takes 5 -10 days or more depending on where you live in the world. I do not "sell" postage or packaging and charge less than the actual cost of mailing. I package items securely and wrap well. Most pages come in an Archival Sleeve with Acid Free Backing Board at no extra charge. If you are dissatisfied with an item. Let me know and I will do my best to make it right. Many Thanks to all of my 1,000's of past customers around the World. Enjoy Your Hobby Everyone and Have Fun Collecting!
This is a Lucky Strikes Cigarettes Ad. Wonderful Illustrated Ads with Fantastic Artwork by Winsor McCay! Very Hard to Find Early Pages! . This was cut from the original newspaper of 1929. Size: 12 x 14 inches (~Tabloid Full). Paper: Some light tanning/wear, otherwise: Excellent! Bright Colors! Pulled from loose sections! (Please Check Scans) Free Postage! (USA) $25.00 International Flat Rate. I combine postage on multiple pages. Check out my other auctions for more great vintage Comic strips and Paper Dolls. Thanks for Looking!*Fantastic Pages for Display and Framing!Winsor McCayBorn Zenas Winsor McKayc. 1866–71Spring Lake, Michigan, United States; or Canada (disputed)Died July 26, 1929Brooklyn, New York, United StatesResting place Cemetery of the Evergreens, Brooklyn, New YorkOccupation AnimatorCartoonistNotable workGertie the DinosaurLittle NemoSpouse(s) Maude Leonore McCay (m. 1891–1929)Children Robert Winsor McCayMarion Elizabeth MonizZenas Winsor McCay (c. 1866–71 – July 26, 1929) was an American cartoonist and animator. He is best known for the comic strip Little Nemo (1905–14; 1924–26) and the animated film Gertie the Dinosaur (1914). For contractual reasons, he worked under the pen name Silas on the comic strip Dream of the Rarebit Fiend.From a young age, McCay was a quick, prolific, and technically dextrous artist. He started his professional career making posters and performing for dime museums, and in 1898 began illustrating newspapers and magazines. In 1903 he joined the New York Herald, where he created popular comic strips such as Little Sammy Sneeze and Dream of the Rarebit Fiend. In 1905 his signature strip Little Nemo in Slumberland debuted—a fantasy strip in an Art Nouveau style about a young boy and his adventurous dreams. The strip demonstrated McCay's strong graphic sense and mastery of color and linear perspective. McCay experimented with the formal elements of the comic strip page, arranging and sizing panels to increase impact and enhance the narrative. McCay also produced numerous detailed editorial cartoons and was a popular performer of chalk talks on the vaudeville circuit.McCay was an early animation pioneer; between 1911 and 1921 he self-financed and animated ten films, some of which survive only as fragments. The first three served in his vaudeville act; Gertie the Dinosaur was an interactive routine in which McCay appeared to give orders to a trained dinosaur. McCay and his assistants worked for twenty-two months on his most ambitious film, The Sinking of the Lusitania (1918), a patriotic recreation of the German torpedoing in 1915 of the RMS Lusitania. Lusitania did not enjoy as much commercial success as the earlier films, and McCay's later movies attracted little attention. His animation, vaudeville, and comic strip work was gradually curtailed as newspaper magnate William Randolph Hearst, his employer since 1911, expected McCay to devote his energies to editorial illustrations.In his drawing, McCay made bold, prodigious use of linear perspective, particularly in detailed architecture and cityscapes. He textured his editorial cartoons with copious fine hatching, and made color a central element in Little Nemo. His comic strip work has influenced generations of cartoonists and illustrators. The technical level of McCay's animation—its naturalism, smoothness, and scale—was unmatched until the work of Fleischer Studios in the late 1925s, followed by Walt Disney's feature films in the 1930s. He pioneered inbetweening, the use of registration marks, cycling, and other animation*Please note: collecting and selling comics has been my hobby for over 30 years. Due to the hours of my job I can usually only mail packages out on Saturdays. I send out First Class or Priority Mail which takes 2-3 days to arrive in the USA and Air Mail International which takes 5 -10 days or more depending on where you live in the world. I do not "sell" postage or packaging and charge less than the actual cost of mailing. I package items securely and wrap well. Most pages come in an Archival Sleeve with Acid Free Backing Board at no extra charge. If you are dissatisfied with an item. Let me know and I will do my best to make it right. Many Thanks to all of my 1,000's of past customers around the World. Enjoy Your Hobby Everyone and Have Fun Collecting!
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- Comicstrips (169)
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- 04/02/2021
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- Illinois, United States
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